

Check out Gus Mitchell’s review of Patrick Joyce’s Remembering Peasants: A Personal History of a Vanished World.
A taste:
Joyce explores five key relationships of this peasant world: to the society of the village or commune, to the family and the home, to the natural world, to the divine, and to sufferingâstill popularly understood as the old peasantsâ lot in life. Joyce never romanticizes the âbent by toilâ nature of peasant work: the terrifyingly total reliance on the body as âa finite and precious resource.â Hunger, death, destitution, and chaos were all immanent realities, never more than a blight or a pillaging army away. As one of the many direct peasant accounts which the work cites has it, poverty and despair were figured the ââbitchââŚever ready to pounce.â
It was not only nature with which one had to contend. The bailiff and the land agent, the tax official and the press gangâendless human malevolence might also be âready to pounce.â In the face of the powerful, which they were not, and of natureâvast and wild beyond comprehensionâpeasants had the strength of belonging, or, in Joyceâs more imaginative formulation, âdwelling.â The peasant obsession with owning land to pass down to oneâs descendants, and the peasant sense of âthe houseâ containing a âcosmological significanceâ both stem from this deep practice in, and understanding of, dwelling. It is not only the house, but the world that surrounds and encloses the house, âthe farm unfoldingâŚto the fields, then the mountains, the forests, the wastelands.â And it was not only space that extended, but time, since dwelling in one place requires relationships across time to the dead: âAt the same as the living watch over the dead, the dead watch over and care for the living.â
A peasant was located, both in space and in time, and experienced nature through the repetitions of the farming calendar in a particular place. To give a better sense of the worldview such intimacy with the land nurtured, Joyce quotes the opening of a study on Polish peasants, first published in 1958: âEvery field knows its owner, the Earth is indignant at every crime committed on its face.⌠Nothing bad should be said near water. The wind listens and talks.⌠While animals do not know as much as man they know things he does not.â
Nature, in other words, was urgently animate, and, as Joyce writes, âthe natural, the spirits and God, in practice, merged one into the otherâ in the peasantâs âthreefoldâ view of things. When someone died, for instance, it would be necessary to patrol the farm and inform all the animals, possibly the house and out-buildings too. We could dismiss this as ritual superstition, or we could view it as the peasant didâas an interactive engagement with the extended world.
Read the entire piece here.